Author Archives: leewatkins
Spengler’s Logic of History
Oswald Spengler tells us that he’s trying something new, a kind of historical study that he calls “predetermining history”: he’s going to use an historian’s methods in order to tell us something of what is going to happen. History is … Continue reading
The Perfect Critic
In an essay by T.S. Eliot called “The Perfect Critic” we learn, above all, that art criticism is difficult. For one thing, many art critics don’t make art themselves, and so the criticism they write is shaped by their own … Continue reading
Fantasy and Escapism
Fantasy books, TV shows, and films all provide entertainment and escapism. I enjoy fantasy but I’m troubled by this notion of escape – of using art to “wind down” and “switch off.” It seems to me that this is potentially … Continue reading
Know Thyself
Samuel Taylor Coleridge’s poem “Know Thyself” seems to offer up two possible interpretations, and I wonder whether Coleridge believed self-knowledge was possible or not. The poet asks “Say, canst thou make thyself?” and urges his reader to “Learn first that … Continue reading
Above and Below
If Henry Miller’s Nexus begins in a slough of despair, in its final chapters the rays of hope begin to emerge. The day he’ll leave for Europe is approaching, and knowing he will be leaving soon makes his remaining days … Continue reading
Notes on Susan Sontag’s “On Style”
There’s always a distance between the work of art itself and the reality it represents. This distance is “inhuman,” says Susan Sontag: it’s artificial, belonging to the representation and not coming directly from lived reality. But Sontag wants us to … Continue reading
Arthur Machen’s “Meditations of a Tavern”
In Arthur Machen’s The Hill of Dreams, Lucian Taylor is a struggling writer prone to daydreaming. He deliberately seeks out obscure books, to learn the most useless knowledge he can find. He is sick of modern society and its day-to-day … Continue reading
